It is not a moment that involves Claire, but her (first, 20th Century) husband Frank. Returning to their lodgings on a blustery night, Frank recounts, in stages, what he has seen:
"Well, only a man, really," he began, measuring out a jigger for himself and two for me. "Standing down in the road outside."Asked to describe the figure, whom Claire observes sounds "rude," but "not very ghostly," Frank reviews both his appearance and what was, in fact, ghostly:
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"Yes, he was down at the edge of the garden on this side, standing by the fence. I thought"--he hesitated, looking down into his glass--"I rather thought he was looking up at your window."
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"[H]e seemed terribly unhappy about something. Not that I could see his face well; just something about the wat he moved. I came up behind him, and when he didn't move, I asked politely if I could help him with something. He acted at first as tough he didn't hear me, and I thought perhaps he didn't, over the noise of the wind, so I repeated myself, and I reached to tap his shoulder, to get his attention, you know. But before I could touch him, he whirled suddenly round and pushed past me and walked off down the road." (19-20)
"Big chap," said Frank, frowning in recollection. "And a Scot, in complete Highland rig-out, complete to sporran and the most beautiful running-stag brooch on his plaid. I wanted to ask where he'd got it from, but he was off before I could."The Outlander books are peopled with ghosts, and this is merely the first appearance. But most often, they seem present to people who want or need them, and provide some kind of comfort. This early apparition, whom we will later recognize as Jamie, is mournful, and roaming. And in particular--and most disturbingly--he seems to be separated from Claire.
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"[I]t wasn't his dress that was odd. But when he pushed past me, I could swear he was close enough that I should have felt him brush my sleeve--but I didn't. And I was intrigued enough to turn round and watch him as he walked away. He walked down the Gereside Road, but when he'd almost reached the corner, he. . . disappeared."
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"The wind was cutting up like billy-o, but his drapes--his kilts and his plaid, you know--they didn't move at all, except to the stir of his walking." (20)
I find it interesting that Jamie seeks Claire in a time when he has not entered into her life, but hundreds of years after he was part of his. It speaks to the nature of the connection between them, but it suggests a parting--the kind of parting that their vows forbid:
Ye are Blood of my Blood, and Bone of my Bone.
I give ye my Body, that we Two might be One.
I give ye my Spirit, 'til our Life shall be Done. (267)
If their parting from life should be a parting in the afterlife as well, then that undermines the spiritual and physical unity built up in the novels. But the afterlife is uncertain, and mysterious, and perhaps there is something in the novels' cosmology that would explain the apparent contradiction. I hope not! If having the mystery solved means having Jamie roaming after death, separated from Claire, I would prefer not to have the mystery solved. After all, I'm Catholic. I'm okay with m/Mystery!
Happy Christmas, friends!
4 comments:
Have you read The Time Traveller's Wife? Interesting similarities in the way marriage and time travel are portrayed, the two souls somehow bound together in and out of the permutations of time. Also another Catholic marriage that looks at the question of how the sacrament would work when the husband and wife are living in two different experiences of perception of time, encountering each other at different places on their different timelines.
I've always found Gabaldon's ghosts intriguing. I've wondered if she has it clear in her own mind how such things work in the universe she's created or if they are as much a mystery to her as to her characters. I tend to suspect it's the latter, having read her descriptions of her writing process, she seems very much to feel her characters have a life of their own and that she's often as surprised as they are by the twists and turns.
I find that that's how a lot of writers of fiction describe the writing process--especially nowadays, with NaNoWriMo and whatnot. But from my very limited experience of writing fiction, I will say that that's how it was for me with my *first* attempt. The second attempt was more "planned"--and less successful. :/
I have read that Outlander was the "experimental" novel that wasn't meant to be published, which might account for this particular ghost as an "outlier." BUT--she has drawn so many things back in, that I wonder if there will be any mention in future books of this apparition. In a way, I hope not.
I definitely find the ghosts intriguing--especially when Jamie talks to them. They are generally very similar.
Oh, and to answer your question, I have not read The Time Traveler's Wife! I might have to for comparison's sake--fun!!
I love reading writers talking about their writing process. It seems to me there are two types of novelists: those who plan and plot out every detail and those who dive in and explore the story along with their characters. Not being a fiction writer, though, it's all a bit academic to me.
I think you'd enjoy The Time Traveler's Wife. It's an interesting tale.
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